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Storage Networking , Part 1
eBook: A storage network is any network that's designed to transport block-level storage protocols. But understanding the ins and outs of networked storage takes you deep into several of protocols. This guide covers SANs, Fibre Channels, Disk Arrays, Fabric, and IP Storage.
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Storage Networking 2, Configuration and Planning
eBook: Picking up where Part 1 left off, Part 2 of our look at storage networking examines configurations for SAN-attached servers and disk arrays, and also includes a look at the future of IP storage.
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Storage Management Costs in the Enterprise: A Comparison of Mid-Range Array Solutions Whitepaper:
Many factors contribute to the ownership cost for enterprise storage. These include (but are not limited to): physical capacity relative to physical space requirements, performance capacity for data transfer and system reaction time, software maintenance and updates, expandability and flexibility, and much more.
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Storage Is Changing Fast Be Ready or Be Left Behind
PDF: The storage landscape is headed for dramatic change, thanks to new technologies like Fibre Channel over Ethernet (FCoE), pNFS, object-based storage and SAS that will affect everything from NAS and SANs to disk drives. Get the knowledge you need to make the most of your storage environment, now and in the future.
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HP StorageWorks EVA4400 Demo:
Dont settle for an expensive and complex array that lacks functionality. The HP StorageWorks EVA4400 delivers virtual storage with enterprise class functionality at an affordable price.
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Audio for the Worldwide Web
January 4, 1999
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There's a revolution under way in the audio world, but it's just
beginning to intersect with the revolution called the
Worldwide Web.
All major browsers can handle a variety of audio (and video) formats
with ease, and including audio on a Web site is theoretically no more
complicated than including graphics. Web audio is booming in certain
areas such as Internet radio stations and online music distribution,
but few mainstream Web sites include sound. Why is the Web still
mainly a silent world? This article explains the basics of adding
sound to a Web site, discusses the pros and cons of various formats,
and takes a look ahead at some really world-shaking things to come.
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There's a revolution under way in the audio world. Personal
computers are now powerful enough to be viable professional
audio workstations. Musicians and recording enthusiasts are
like kids in an ear-candy store, as audio recording gets better,
easier and cheaper at an amazing tempo.
Meanwhile, there's another little revolution going on, called
the Worldwide Web. Web pages are by no means limited to text and
graphics. All major browsers can handle a variety of audio (and
video) formats with ease, and including audio on a Web site is
theoretically no more complicated than including graphics. Web
audio is booming in certain areas such as Internet radio stations
and online music distribution, but few mainstream Web sites include
sound. Why is the Web still mainly a silent world? The main reason
is simply bandwidth.
Digital audio files are large. CD-standard audio (44.1 kHz, 16-bit
stereo) hogs up about 10 megabytes per minute. Even with a fast
modem, forget it. It takes far longer to download an audio clip
than it does to play the darn thing back. In the sweet bye-and-bye,
when we all have bandwidth to burn, we'll look back on these days
and laugh as we download whole albums and movies in a
femtosecond.
For now, however, if Web audio is to happen at all, every trick in
the book must be used to slim it down to a manageable size, or
otherwise get around the bandwidth bottleneck.
Fortunately, there are all kinds of tricks in the book, and some
of them work pretty well. The obvious first step is to reduce the
file size. Of course, this reduces the sound quality as well, but
the mother of invention tends to leave some eggshells around when
she makes an omelet (or something like that). 22.05 kHz, 8-bit mono
is a fairly standard format for lower-fidelity applications like
CD-ROMs, and is usually considered adequate quality for speech,
if barely tolerable for music. Files in this format are one-eighth
the size of CD-standard audio (44.1 kHz, 16-bit stereo).
By the way, ordinary file-compression schemes like WinZip don't
work worth a darn for audio. To compress audio or video files,
you need a special type of compression scheme called a "codec" (so
called because it codes and decodes data). There
are many codecs out there, but the only ones that are really popular
for audio are the various versions of MPEG, including the current
rage, MP3 (more on this below).
For short clips like sound effects, dog barks (http://SassyDog.com)
and so forth, the best bet is usually simply to include a wave file
in the page (in a low-quality format to minimize download time). As
we'll see below, it's very easy to set up a short audio clip to play
automatically when a Web page is opened, or to play in response to
various kinds of events. For music, however, simply embedding a sound
file like this will never do. A musical piece of any length will take
forever to download, and the quality doesn't really make it worth
waiting for. If you want to add a "background track" to a Web site,
there are two more appropriate ways to do it: the old standby MIDI,
or the more cutting-edge streaming audio.
Contents:
MIDI for the Masses
Editor's note:
a femtosecond is the time between the traffic light changing to green,
and the sound of the car horn behind you. In Europe, anyway..
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